长期以来,20世纪中国旧体诗词的合法性处于被怀疑、否定或悬置的状态,致使它被摒弃在文学研究和文学史写作之外,从而造成一部分文学精神资源的人为遮蔽。有研究者怀疑和否定旧体诗词的合法性,有研究者没有对传统文体在古代与现代社会的命运和表现加以区别。要改变对旧体诗词的歧视和压迫,首先需要理解其合理性,也有必要重新厘定“现代文学”的范畴,用“现代汉诗”这一概念来整合20世纪中国诗歌,消弭新、旧诗词的对抗和对立。20世纪中国旧体诗词表现了鲜明的现代性追求,自足地构成一种新的历史传统。在新的世纪,必须打破新、旧诗词二元对立的模式,把旧体诗词作为中华民族在新的历史时期创造的文化成果进行研究,既有助于旧体诗词的发展,又有助于文学和文化观念的改进。 For a long time, the legitimacy of the Chinese traditional poetry in the 20th century was in doubt, denial or suspension, causing it to be abandoned beyond the study of literature and the writing of literary history. As a result, part of the literary spiritual resources were artificially obscured. Some researchers doubt and negate the legitimacy of old poetry, and some researchers have not distinguished the fate and performance of traditional style in ancient and modern society. To change the discrimination and oppression of old poems, we must first understand its rationality and also need to redefine the scope of “modern literature”, integrate the 20th century Chinese poetry with the concept of “modern Chinese poetry” and eliminate new and old poems Confrontation and opposition. In the twentieth century Chinese old poetry displayed a distinct pursuit of modernity, which self-containedly constituted a new historical tradition. In the new century, it is necessary to break the binary antithesis between new and old poems and to study old Chinese poems as the cultural achievements created by the Chinese nation during the new historical period. This not only helps the development of old poems, but also helps Improvement of literary and cultural concepts.