整理传统戏与“围魏救赵”

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近日,忽然从川剧的整理传统戏想到战国对的“围魏救赵”。当年,魏以强凌弱,兵临赵都邯郸城下,齐将田忌、军师孙膑应求拥兵救越。孙膑看出对手精兵悉发而后方空虚,立马挥兵,直捣魏都大梁,迫使魏回首自救,遭半途截杀而大败,赵随之获救。以比作比。川剧的传统戏、新编历史剧和现代戏,谁为魏,谁为赵?振兴之师何指?欲得要领,不妨先审视一下历史和现状。五十年代的戏改可谓川剧之盛。贤者名流,云集成渝,认两千余鉴定传统剧目中整理出二百多出戏,争芳斗艳于氍毹之上;并组织剧作者锤炼文字,编辑成书13册,荟萃佼佼剧目近70出;过些,为此后川剧在全国戏曲汇演乃至国外显露丰姿行了奠基礼,其实,这何尝不是川剧的首次振兴运动呢? 以后的30年,川剧的道路就坎坷多磨了。前10年以现代戏为纲,成绩平平;继而川剧传统戏在文革中被关了十年“班房”;近十年,才又在党的“双百”及“三并举”方针指引下复活和振兴起来。这些年,戏剧创作的重点放在了新编历史剧和 Recently, suddenly from the Sichuan Opera finishing the traditional drama thought to the Warring States period “Wei Wei Zhao.” At that time, Wei Yijiang Lingling, Binglin Zhao Handan city, Qi Tianjiu, military strategist Sun Ying should ask for more soldiers to save the more. Sun 膑 saw the opponent soldier learned hair and emptiness, flew to the ground, Wei Da straight beam, forcing Wei to return to self-help, was defeated by a half-way defeat, Zhao was rescued. To compare. The traditional drama of Sichuan Opera, the new historical drama and modern drama, who is Wei, who is the revitalization of Zhao Zhao Zhao? To get the essentials, may wish to look at history and the status quo. The fifties play can be described as the prosperity of Sichuan Opera. Sage celebrities, gathered in Chongqing, more than two thousand identified more than two hundred traditional appraisal sorted out more than 200 plays, fight Fangfangduan above; and organize the dramatist temper writing, edited into a book 13, a blend of outstanding drama near 70 out; after some, for Sichuan Opera in the national drama show and even overseas Fengzi line revealed the groundbreaking ceremony, in fact, this is not the first revival of Sichuan opera it? The next 30 years, the road to the ups and downs of Sichuan Opera. In the first ten years of modern drama as the key link, the performance was mediocre; then the traditional drama of Sichuan Opera was closed during the Cultural Revolution for ten years. In the past ten years, it was revived under the guidance of the “double hundred” and “three parallel” policies of the party Revitalize. In these years, dramatic writing has focused on the historical drama and the new drama
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