姜健的拍摄于20世纪90年代的中国河南的农民肖像看似简单，就是将农民与中堂(农居的堂屋，功能类似于城市中的客厅)叠加在一起。我们知道，在中国人传统的居住空间中，客堂的“中堂”这个空间具有特殊的象征意义，它象征了中国历史上长期形成的家长制制度的价值观与制度保证。墙上高挂的中堂(此“中堂”为大幅字画)，案几上的 Jiang Jian’s portrayal of peasants in Henan Province, China, dating back to the 1990s, appears to be simply a combination of peasants and churches (farmhouses with functions similar to those in the city). We know that in the Chinese traditional living space, the “Zhongtang” in the parlors has a special symbolic meaning, which symbolizes the values ​​and institutional guarantees of the long-established patriarchal system in Chinese history. Wall hanging in the Church (this “Zhongtang” is a substantial picture), a few cases