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刘家良是香港武侠片/功夫片历史上最有影响力的电影人之一。从1975年独立执导以来,刘家良一举成为“邵氏”及香港功夫片的代表人物。本文从武打设计、谐趣情节、意识形态入手,对刘家良在“邵氏”的功夫片创作进行系统分析,并试图以此为基础评价刘家良在香港电影史上的地位。
Lau Kar Leong is one of the most influential filmmakers in the history of Hong Kong martial arts films and martial arts films. Since the independent director in 1975, Liu has become the representative of “Shaw” and Hong Kong Kung Fu movies. This article starts from the martial arts design, the interesting episode and the ideology, and makes a systematic analysis of Liu Jia-liang’s creation of “Shaw” Kung-fu movies. At the same time, it attempts to evaluate Liu’s position in the history of Hong Kong films.