论文部分内容阅读
沈阳评剧院副院长、著名评剧演员筱俊亭,前些时候,在《辽宁戏剧》发表《演员与剧本》一文,读后深感振奋。筱俊亭同志认为,一个剧团,甚至一个剧种,最关键的问题,就是要有出色的剧本。拿评剧来说,如果没有评剧创始人之一成兆才写出一二百个剧本,只恐怕评剧艺术还要停留在“莲花落”阶段呢!一出《小女婿》,使原来就有基础的韩少云同志在艺术上更加成熟了。
Xiao Jun-ting, a vice-director of the Shenyang Ping’an Theater and a famous actor and actress, was very excited when he read the article entitled “Actor and Script” in “Liaoning Opera” some time ago. Xiao Junting comrades believe that a theater, or even a drama, the most crucial issue is to have a good script. Take the drama, if without one of the founder of drama criterions to write one or two hundred scripts, I am afraid that the art of Pingju also stay in the “lotus” stage! A “little son-in-law” so that there is a foundation Comrade Han Shaoyun is more mature in art.