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20世纪的最后一年,摩尔“走”到了我们中间。和几个月前的达利展相比,摩尔展说不上火,甚至有点冷清。摩尔的一生(1898-1986),差不多整整占了这一个世纪,和他岁数差不多的中国画家是溥心畲(1887-1963)、徐悲鸿(1895-1953)、李苦禅(1898-1983)、张大千(1899-1983)、林风眠(1900-1999)、关良(1900-1986)。那么中国的这些画家在中国老百姓眼睛里命运又如何呢?如果按传统书画论,这几个人里头溥心畲李苦禅,张大千可比。张大千最容易理解,其次李苦禅也好接受,王孙败落、孤家寡
In the last year of the 20th century, Moore “walked” into the middle of us. Compared with the Dali show a few months ago, the Moore show did not get angry or even deserted. Moore’s life (1898-1986), occupying almost exactly this century, is similar to his age of Chinese painters such as Pu Xin-she (1887-1963), Xu Beihong (1895-1953), Li Kuchan (1898-1983), Zhang Daqian 1899-1983), Lin Fengmian (1900-1999), Guan Liang (1900-1986). So what is the fate of these Chinese painters in the eyes of ordinary Chinese people? If, according to the traditional theory of painting and calligraphy, there are many people in their heart, such as Li Suchan and Zhang Daqian. Zhang Daqian most easily understood, followed by Lee Kuchan Ye Hao accepted, the princes fall, loners