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数字冲击波 列举与近年韩国电影有关的数字如下:以前韩国国产片市场占有率为15％,而2000年国产电影占有率达84％,预计2001年能继续保持三分之一以上的占有率。国产片数量1999年43部,2000年为58部,2001年将达到60部以上。多屏幕影院近两年陡增300多间,深入到商业中心和交通枢纽。韩国著名财团参与电影投资,财源充盈。同时电影成为韩国创汇产业,1999年出口创汇300万美元,2000年创汇700万美元。韩国祥明大学教授赵熙文更提示了令人惊异的电影教育的数字:至2001年,有60多所韩国大学设立了电影制作学科,每年培养1000多名电影人才。 韩国电影的知名度在国际影坛迅速提升。从2001年1月份起每月都受到1-2个国际电影节的邀请参展参赛。1月份有22部作品赴13届法国克莱蒙弗朗短篇电影节展映;2月,《犯规王》等13部作品赴21届葡萄牙国际幻想电影节展映;3月,10部作品赴比利时布鲁塞尔梦幻电影节展映;4月,36届卡罗维发利电影节举办韩国电影回顾展;5月,第3届巴塞罗那亚洲电影节举办韩国电影特别展;6月,第5届上海国际电影节上举办韩国电影专题展。更不用说早已留下韩国电影人足迹的戛纳、柏林、威尼斯与圣丹斯电影节了。不过更重要的是韩国以高丽民族的热情将世界电影请进来,以20世纪90年代创办三大国际电影节(釜山?
The digital shock wave lists the figures related to Korean films in recent years as follows: In the past, the domestic film market share in Korea was 15%, while in 2000 the domestic film market share was 84%. It is estimated that in 2001 it will continue to maintain a one-third or more share. The number of domestically produced films was 43 in 1999, 58 in 2000 and more than 60 in 2001. Multi-screen cinema over the past two years soared more than 300 rooms, deep into the commercial center and transportation hub. South Korea's famous consortium involved in film investment, financial resources filling. At the same time, the movie became a foreign exchange earning industry in Korea. In 1999, it exported 3 million U.S. dollars and earned 7 million U.S. dollars in 2000. Zhao Xiwen, a professor at Cheung Ming University in South Korea, has even shown astonishing figures on film education: By 2001, more than 60 Korean universities had set up film production disciplines and trained more than 1,000 film talents each year. The popularity of Korean movies has rapidly risen in international cinema. From January 2001 every month from 1-2 International Film Festival invitation to participate in the exhibition. In January, 22 works went to the 13th Clermont-Froner Short Film Festival in France; in February, 13 works such as “Foulstruck King” went to the 21th International Film Festival of Portugal; and in March, 10 works went to Brussels, Belgium Dream Film Festival; April, 36th Karlovy Vary Film Festival held a Korean film retrospective; May, the 3rd Barcelona Asian Film Festival held a special Korean film festival; June, the 5th Shanghai International Film Festival held in Korea Film exhibition. Not to mention the Cannes, Berlin, Venice and Sundance Film Festivals that have long left South Korea's filmmakers footprint. But more importantly, South Korea invites world films with the enthusiasm of the Goryeo nation to establish three major international film festivals in the 1990s (Busan?