《酒神小姐》是一部充满多义性的影片,既有对韩国历史遗留问题的追溯,也有对老年人生存状况的担忧,对社会边缘群体的关注,驾驭起来,当真是如履薄冰在一片婆娑的树影之中,露出了一小块湛蓝而静谧的天空,树影之下,是一丛刚刚蹿出新绿的杂草,一朵小小的白色野菊花,在这片荒地之上,孤独而执拗地绽放。这个超凡脱俗又饱含象征意味的场景,便是韩国导演李在容新作《酒神小姐》的片头。这部描写老年性工作者日常生活的影片,娓娓道来,平淡如水,却在我的内心掀起了巨大的波 “Bacchanalia” is a film full of ambiguity. It not only traces back the problems left over by history in Korea, but also has concerns about the living conditions of the elderly. Attention to socially marginalized groups, In the shadow of the tree, exposing a small piece of blue and quiet sky, under the shadow of the tree, just a bunch of fresh green weeds, a small white wild chrysanthemum, on this piece of wasteland, lonely And stubbornly bloom. This extraordinary and full of symbolic scenes, is South Korea director Li Zaixin new film “Drunkard,” the title piece. This film depicting the daily life of senile sex workers, his right, plain water, but in my heart set off a huge wave