本文认为，齐梁文人的崇佛诗歌创作中的游写佛寺诗歌最具文学性与审美价值，主要表现为客体之景之物获得了独立的审美价值，使诗作别具情趣。并且，齐梁崇佛文人把对佛寺客体之景之物的描绘与咏叹同宣扬佛教义理有机结合于一体，使人们在对整体景物欣赏中，自然而然地接受了佛教义理的陶冶。 This paper argues that the most literary and aesthetic value of the poem written by Buddhist temples in Qi Liang’s literary creation is mainly manifested in that the objects of the objects acquire the independent aesthetic value and make the poetry unique and interesting. Moreover, the scholars of Qi and Liang Chongfu combined the depiction and the aria of the objects of the Buddhist temple with the propaganda of Buddhism, so that people naturally embody the Buddhist doctrine in appreciation of the whole scenery.