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大概是在60年代初期,在一次北京市展览会上见到了张友明的非洲人头像,浑朴的性格,厚实的造型,包括仿石刻的处理手法都令我心折。我认为这是那次展览中杰出的作品。(见1962年4月1日《人民日报》及同年《美术》月刊第5期)当时的创作都是要有明确的政治内涵的,但他却不满足于表面的政治口号,而是出于对非洲人民真诚的同情和尊敬,所以他着重刻划了纯朴、善良和充满信心的内在性格。 老实说,那时我们对非洲人民的复杂斗争
It was probably in the early 1960s that I saw Zhang Youming’s African portrayal at a Beijing exhibition. My honest character, thick styling, including the use of imitation stone carved my heart. I think this is an outstanding work in that exhibition. (See People’s Daily, April 1, 1962, and Art Monthly, Issue 5, the same issue of the same year.) At that time, the creations of the time required explicit political connotations. However, he was not satisfied with the superficial political slogans, Sincerely sympathizing with and respecting the people of Africa, he focused on characterizing the inner character of simplicity, kindness and confidence. Honestly, then, we were complicit in the struggle against the African people