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西方古典绘画一直建立在对具体事物、具体情境描绘的基础上,并逐渐建立了一套严密、科学的绘画体系、方法,早在文艺复兴时期,画家们已经将这种绘画方法运用到极致了。从印象派对画法的解放开始,到20世纪,画家们开始有意识地打破三维画面,并开始关注原始艺术和东方平面艺术,走上了自我表达之路。超现实主义并不企图完全颠覆绘画传统,而认为传统的、理性的绘画观念已经无法承载日益深化并不断更新的新观念与新体验,传统绘画在表现想象力与情绪氛围上显得有些笨拙,或者说传统绘画并没有把多少注意力放在个人体验与表达上,它更注重的是功能性。超现实主义更像一种与意识、潜意识的沟通与对话,把注意力放在漫无边际的情绪氛围之上,超现实主义是一种观念而不是画风,所以他们又不同于抽象主义对形式或痕迹的迷恋。
Western classical painting has been based on the description of specific things and specific situations, and gradually established a rigorous and scientific painting system and method. As early as the Renaissance, the painters had applied the painting method to the extreme . From the liberation of the Impressionist painting method to the 20th century, painters began to consciously break the three-dimensional images and began to pay attention to the primitive art and oriental graphic arts, embarking on the road of self-expression. Surrealism does not attempt to completely overthrow the tradition of painting, but believes that the traditional and rational concepts of painting can no longer carry new concepts and experiences that are deepening and constantly updated. Traditional painting appears clumsy in expressing imagination and mood or To say that traditional painting does not pay much attention to personal experience and expression, it focuses more on the functionality. Surrealism is more like a conscious and subconscious communication and dialogue. It focuses on the endless emotional atmosphere. Surrealism is an idea rather than a style of painting. Therefore, they are different from abstractionist forms or Traces of obsession.