优美的音乐和生动的舞蹈融为一体,使人身临其境,这已不是一个舞台,而是在云南的竹林,眼前一只孔雀时而梳理羽毛,时而伸颈饮泉,时而伫立,杨丽萍忘怀了观众,也忘怀了自己,她用灵动熟练的四肢五官,演绎着其收官作舞剧《孔雀》的神韵。从成名作《孔雀公主》、《雀之灵》、《月光》到双人舞《雀之恋》,再到大型舞剧《云南映像》、《孔雀》,历经三十余年,杨丽萍的舞蹈从惟妙惟肖的“以人拟物”开始,到讲述云南少数民族的文化风情,再到“以物喻人”的回归人性;从模仿生命,探求自然, Beautiful music and vivid dance blend, make people immersive, this is not a stage, but in Yunnan bamboo forest, peacock in front of sometimes combing feathers, sometimes stretching neck fountain, sometimes standing, Yang Liping forget The audience, but also forget themselves, with clever facial features limbs, interpretation of its ending as a play “Peacock” charm. From fame “Peacock Princess”, “Spirit of the Sparrow”, “moonlight” to the double dance “Love of the Sparrow”, then to the large-scale dance drama “The Mirror of Yunnan”, “Peacock”, after more than thirty years, Yang Liping’s dance vividly “Beginning with people ”, to tell about the cultural customs of ethnic minorities in Yunnan, and then to return to human nature by “using objects to represent people”; from imitating life and exploring nature,