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“中国诗坛1986现代诗群大展”让第三代诗人正式涌入诗坛。张锋作为第三代独立诗人,他的诗歌创作应运而生,在形式上带着第三代诗歌的反文化特征,日常化、口语化、叙述化以及消解崇高。然而第三代诗歌的反文化不自觉地走向极端,逐渐沉沦于琐屑的世俗生活的当下,流于浅薄与轻俏。而张锋的诗歌在形式上的反文化特征之下,其内核却承袭了传统的诗歌理性精神,批判意识、历史使命感、人道关怀、政治反思等,在反文化的非理性形式下蕴含着一种理性精神,它是对诗歌的“诗性”与“神性”的回归。
“Chinese Poetry Exhibition 1986 Modern Poetry Exhibition” let the third generation of poets formally poured into the poetry. As the third generation of independent poets, Zhang Feng’s poetry creation came into being, with the anti-cultural characteristics of the third generation of poetry in form, dailyization, colloquialization, narration and loftiness. However, the counter-culture of the third generation of poetry unconsciously goes to the extreme and gradually sinks into the present moment of trivial secular life, falling into superficiality and lightness. Under the formal anti-cultural features, Zhang Feng’s poetry inherits the traditional rational spirit of poetry, critical consciousness, sense of historical mission, humane care and political reflection. Under the irrational form of counterculture, A kind of rational spirit, it is the return of “poetry” and “divinity” of poetry.