广东的粤剧观众,一提起擅演悲剧的演员,都会谈到广东粤剧院的艺术指导、著名花旦郑培英。她从艺多年,擅演青衣,努力追求悲剧的美,塑造过不少感人至深的艺术形象,受到了人们的赞扬。戏曲美学家王朝闻曾指出:“有才能的演员的表演,在表演人物时省略了许多并非不重要的东西,可是因为演员已经把握了某些具有决定意义的东西——神,可以唤起丰富想象的东西,就能使观众着迷。”这里说的“神”,指的就是剧中人物在一系列戏剧行动中的心理依据,包括她过去的经历、眼前的处境,她独特的性格及 Guangdong Cantonese opera audience, mentioning the tragedy of performing actors, will talk about the Guangdong Cantonese opera art director, famous Hua Dan Zheng Peiying. Her years of art, good acting in Tsing Yi, the pursuit of the tragedy beauty, created a lot of touching artistic image, has been praised by people. Opera aesthetist Wang Chao Wen once pointed out: “A talented performer’s performance omits many non-trivial things when performing characters, but because the actor has grasped certain deterministic things - God can arouse rich imagination ”The“ god ”here refers to the psychological basis of the characters in a series of dramatic actions, including her past experiences, her immediate situation, her unique personality and