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每次看到某部影片说某青年为了某种理想离开某地去某地时。我总在想,谁来建设我们的家乡呢?当年看《人生》,高加林骨子里就很瞧不起黄土,包括面朝黄土背朝天的农人.电影让这个青年在城市里转了一圈后.又回到了那块黄土地上。那个宝贝一样深爱过他的女人也嫁作他人妇.而他自己的理想国也随黄沙鼓荡,不知跑到哪个爪哇国去了。往深里说,《人生》再现了黄土文明的强悍和博大.个人的那些小念想既无法与它抗衡.更无须它抗衡。
Every time I saw a video saying that a youth had left somewhere for something to go somewhere. I always think, who is going to build our hometown? Look at “life”, Gauguin bones look down on loess, including farmers facing the back of loess .Cinema for the youth in the city after a lap Back to the loess land again. The baby, who loved him so much, was also married to another woman, and his own country of idealism was also overwhelmed by the sand, and I do not know which country went to Java. To the depths, “life” reproduces the loyalty and civilization of loess civilization, those little thoughts of individuals can not compete with it, even without contending.