读《中国京剧》今年第2期《“边厢”还是“壁厢”》一文,觉得其立论难以成立。今略陈己见,以就教于周、王二先生及方家。 其一,是“那边厢”的“边”字有没有唱“倒”的问题。 该文说《宇宙锋》反二黄唱段中一句唱词“那边厢又来了牛头马面”,其中的“边”是阴平字,而梅大师“并未高唱”。原话说得很婉转,“不妄谈”梅大师,而责怪“后学者”唱“倒”。但又未指出“后学者”是否不照梅大师的唱法而另有别的什么唱法。既然是“后学者”,自然是学梅,那么我只能就梅大师的唱法来论。“那边厢”的曲谱是这样的: Reading “Chinese Peking Opera” the second issue of this year, “” side of the box “or” wall box “” one article, think its argument is difficult to set up. This moment a little Chen Ji see to teach in weeks, Mr. Wang Er and Fang family. First, there is the question of whether the word “edge” of “the side” of “the other side of the box” sings. The article said “Cosmic Front” anti-second aphrodisiac in the lyrics, “There came another side of the head horse,” one of the “edge” is flat yin, and Master Mei “did not sing.” The original words are very mild, “Do not jump” Master Mei, and blame the “scholar” sing “down.” However, it did not indicate whether “post-scholar” did not follow Master Mei’s singing style and did anything else. Since it is a “post-scholar,” naturally learn plum, then I can only talk about Master Mei singing. “The other side of the” music score is this: