能够到意大利进修,真是一个令人高兴的难得机会!我们搞油画的自然渴望亲眼目睹那些珍贵的艺术原作,能够直接了解欧洲的艺术。在不足两年的时间里,我在米兰进修,又跑了意大利的许多城市,后来还到了巴黎和伦敦,饱览历代大师们的真迹,接触到欧洲(主要是意大利)美术界的一些现状,感受是多方面的。《世界美术》编辑部要我写点什么,这又使我为难,因为学画的时候并不曾想到要作文。然而,盛情难却,只好将一些粗浅的见闻随手写下,以敷衍塞责,也不敢期望能够引起读者的兴趣。 Being able to study in Italy is really a pleasant and rare opportunity! Our natural desire for painting is to witness the precious original works of art and to directly understand the art of Europe. In less than two years, I studied in Milan and ran many cities in Italy. Later, I went to Paris and London to see the authenticity of the masters of the ages and touch on some of the current state of art circles in Europe (mainly Italy) Feeling is multifaceted. It was a dilemma for me to write something to the editorial department of World Art, because I did not think of writing when I was studying painting. However, the gratification is difficult, had to write some superficial knowledge casually, in order to perfunctory responsibility, can not expect to arouse the reader’s interest.