读了9月25日音乐周报上张佳林的《我们的旋律审美从何而来》一文,我觉得逻辑上有不对的地方,有些说法也显得偏颇。在世界范围内,在音乐的历史上,旋律都处在音乐表现中最重要的地位,音乐作为一种最擅长表情的艺术,旋律就是它获得表情性最关键的载体。所以,不仅“国人喜欢好听的旋律”(张文中的话),其它国家、民族的人也都喜欢好听的旋律。 After reading Zhang Jialin’s “Aestheticism of Our Melody” from the weekly music magazine on September 25th, I think there is a logical place to go. Some of the statements are also biased. In the history of the world, melody is in the most important position in music performance. Music, as one of the best art of expression, melody is the most important carrier of obtaining expression. Therefore, not only “people like good melody ” (Zhang Wenzhong’s words), other countries, ethnic people also like nice melody.