绘画进入到当代,成为最不容易突破的领域。一是绘画历史悠久,形成各种传统,给人许多的范例和模式:一是绘画与新兴的艺术媒介比较,经常受到人们的疑虑,也就是经常将绘画置于被取代的危机论中。事实上,作为极具视觉表达能力的绘画在整个20世纪后八、九十年代,特别是在当代颇有大举回潮的气势,这就是绘画的复兴。但是复兴的概念不是立足于传统语境中的旧有模式,特别是在中国近代强烈的绘画情结 Painting into the contemporary, as the most difficult to break through the field. The first is that painting has a long history and forms various traditions, giving people many examples and models. First, compared with the emerging art media, the painting is often subject to people’s misgivings, that is, often putting painting in the replaced crisis theory. In fact, as a highly visual expression of painting in the late eighties and nineties of the 20th century, especially in the contemporary momentum of mass resurgence, this is the revival of painting. However, the concept of rejuvenation is not based on the old model in the traditional context, especially in the intense painting complex in modern China