写李方膺《潇湘风竹图》,肇始于其画中题画诗“画史从来不画风”与事实的矛盾。画史真的从来不画风吗?我们又如何看待李方膺的陈述?通过研究发现,历史“错误”此时却来得正好。一、李方膺及其《潇湘风竹图》李方膺,字虬仲,号晴江,别署有木田、木子、抑园等,清代乾隆时南通州人。后人列其为“扬州八怪”之一。《潇湘风竹图》乃一时之名画,文人们不仅欣赏其画,亦赏其诗文。清代冯金伯著《国朝画识》记载道:李晴江,善画,泼墨如飞,且信手留题,不假思索。……亦善松竹,尝自题画竹云:画 Write Li Fang Ying “Xiaoxiang Feng Bamboo” originated in the painting of the poem “Painting history never style ” and the fact that the contradiction. History of painting is never really style it? How do we view Li Fang’s statement? Through the study found that the history of “error” is just right. First, Li Fang Ying and his “Xiaoxiang Feng Bamboo Figure” Li Fang Ying, word 虬 Zhong, No. Qingjiang, another agency has Kuta, Muzi, Park suppression, etc. Qing Dynasty Qianlong Nantong people. Descendants listed as “Yangzhou eight strange ” one. “Xiaoxiang Fengzhu map” is a moment of famous paintings, literary people not only appreciate their paintings, but also enjoy their poems. In the Qing Dynasty, Feng Jinbo recorded “Empire Statehood”. It reads: Li Qingjiang, good painting, splashing ink, and unscrupulous, without hesitation. ...... Also good Shochiku, taste the title bamboo: painting