论文部分内容阅读
在当代中国歌剧的舞台上,作曲家徐占海名声不小,音乐评论家居其宏称他为我国当代一流歌剧作曲家,评价其作品起点高、无次品,部部有特点,戏戏出新招。这其中,凝聚着徐占海学习和创作音乐半个世纪来的勤奋和智慧。徐占海上世纪六十年代中期考入沈阳音乐学院作曲系时,正值京剧现代戏火热,沈阳音乐学院院长、著名作曲家李劫夫认为既然是创作新戏,就需要创腔作曲,于是将当时作曲班学生分为西洋作曲和戏曲作曲两个方向定向培养。
On the stage of contemporary Chinese opera, composer Xu Zhanhai is notorious for his reputation as a contemporary composer of music criticism, evaluating his work as a high starting point, non-inferior goods, and having ministries and departments with new features . Among these, embodied the hard work and wisdom that Xu Zhanhai studied and created music for half a century. Xu accounted for the sea in the mid-1960s admitted to the Shenyang Conservatory of Music Department of Composing, at a time when Beijing opera modern drama fiery, Shenyang Conservatory of Music, the famous composer Li Jiefu that since it is the creation of new drama, you need creative writing, so will At that time, students in the composition class were divided into oriental composition and opera composition direction oriented training.