告别《颖河故事》,青年导演都晓走进了《乡里故事》。和《颖河故事》相比,这部电视剧的文化历史内涵更为厚重。如果说前者写了大变革的日辉初照中原大地颖河岸边、中原人的精神因之发生变化的当代乡材生活图景,那么后者则通过田芜镇与瑶村之间的巨大经济落差,反映了中国社会在向市场经济转型过程中“一部分人先富起来”之后如何与大家一起“共同富裕”的深层问题,充分揭示了中原农村现代化进程中经济“转型”、“文化“转型”的艰难。显然,在变幻的大时代面前,无论是田芜镇人还是瑶村人,无论是程天民、红瑶、程氏三姐妹还是程家三女婿,每一个人都难以逃脱和拒绝现代市场经济的洗礼。他们的价值观念、道德意 Bid farewell to “Ying River story”, young director Du Xiao entered the “village story.” Compared with the “Ying River story,” the TV drama’s cultural and historical connotation more serious. If the former wrote a great deal of change in the light of the daylighting on the shores of the Central Plains, the spirit of the Central Plains people changed the picture of the contemporary life of the country, then the latter through the Tianhu and Yaocun huge economic gap between Reflecting the deep question of how to “get rich together” with everyone after “some people got rich first” during the transition to a market economy in Chinese society, fully revealing the “transformation” and “cultural” transformation of economy in the course of rural modernization in the Central Plains. Obviously, before the era of change, both Tianhu people and Yao village people, whether they are Cheng Tianmin, Hongyao, Cheng’s third sisters or Cheng’s third son-in-law, are hard pressed to escape and reject the baptism of modern market economy Their values, moral meaning