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笔者以参观十二届全国美展的切身观感,对全国美展的导向深表以下几点遗憾:中国画正在走向只有西画的构图,大力追求油画的写实效果与装饰画的装饰效果,即便是以中国笔墨描绘的大部分作品也几乎是在描摹照片写实的面目!中国传统的人文情怀和写意精神已渐行渐远,中国画的意象精神正在悄然缺失,中国画的发展极令国人堪忧!本文力图通过条分缕析,据理评议辨批,旨在呼吁中国画的发展能朝着继承传统求创新的方向回归。
The author deeply appreciates the following points about the oriental art exhibition in the 12th National Art Exhibition: The Chinese painting is going to the composition of only Western painting, and vigorously pursues the realistic effect of decorative painting and the decorative effect of decorative painting. Even with Chinese ink Most of the works depicted are also almost portrayed in the realism of the photo! The traditional Chinese humanistic feelings and freehand spirit have been gradually lopsided, the spirit of the Chinese painting is quietly missing, and the development of Chinese painting is extremely worrying to the Chinese people. According to the reasoning and approval, the purpose is to urge the development of Chinese painting to return to the direction of inheriting tradition and seeking innovation.