论文部分内容阅读
(一) 中国绘画的品评风气,早在魏晋已开其端,至南北朝时已日趋兴盛。在绘画批评的标准上,它受东汉·班固的《汉书·九品人表》中的“六品”或“三品九等”说的影响,即以九品中正制的标准去评议画家。如:南齐·谢赫的《古画品录》中提出的“六法论”,就是从品的角度去看画的优劣,同时,这也是绘画所遵循的法则。《古画品录》也是我国第一部中国画系统性的评论著作。其后,陈·姚最的《续画品》,唐·彦宗的《后画品》,窦蒙的《画拾遗录》
(1) The quality of the Chinese painting’s criticism has gradually started its course in the Wei and Jin Dynasties and has flourished since the Northern and Southern Dynasties. On the criterion of drawing criticism, it is influenced by the “six-character” or “three-character and nine-character” in the “Hanjiujiugongju” in Donghan Banchu, that is, to comment on the painter with the standard of nine articles. Such as: Nan Qi · Sheikh’s “Ancient Paintings” in the proposed “Sixth Law” is from the product point of view to see the pros and cons of painting, at the same time, this is the law to follow the painting. “Old Paintings Catalog” is also China’s first systematic review of Chinese paintings. Since then, Chen Yao most “continued painting”, Tang Yanzong’s “post-painting”, Dou Meng’s “painting leftovers”