中国的丹青墨笔,一直是男人的天下。在漫长的中国古代至今,一向以男性为中心,女性为附庸。但在清代的画坛,却出现了许多闺阁女子参与研究绘画及诗文创作的情形。有些女画家,在出嫁后也继续从事书画创作,甚至以此为生。在这大批女画家中,不乏出类拔萃者。在清代画场上占据一定的位置 China’s Dan ink, has been a man’s world. In ancient China until ancient times, it has always been centered on men and women as vassal. However, during the Qing dynasty’s painting circles, there were many cases in which boudoir women participated in the study of painting and poetry writing. Some female painters continue to engage in calligraphy and painting even after their marriage and even make a living. In this large number of female painters, there are many outstanding people. In the Qing Dynasty paintings occupy a certain position