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初冬的早晨,我习惯性地走在北京地铁熟悉的通道里。身边人擦肩接踵的是这 个时刻固有的熙来攘往的人群,匆忙的,目标明确却少有表情。 对面站台硕大明亮的灯箱广告时时被驶过的列车挡住又让开,那幅匈牙利布达 佩斯的广告已经挂出来很久了:链子桥、多瑙河以及两岸缓缓游动的车河,平 板而过于标致性,却每每都使我再度想起这个曾经匆匆走过的国家,《布达佩 斯之恋》中的那首《忧郁的星期天》,那些故事、场景和细节也会紧跟着回到 感觉里,影片中无论是开始时的清晨还是结束时的夜晚,那长镜头也是如此标 致性地透过链子桥慢慢地一路摇过宽阔的多瑙河,传递着这个国家忧郁而浪漫 的气质。
Early winter morning, I habitually walk in Beijing Metro familiar channel. People around him rub shoulders the crowded people at this moment, hurried, clear-eyed but few expressions. Opposite platform gigantic bright light box advertising has been stopped by the passing train stopped and let go, that piece of advertising in Budapest, Hungary has been hanging out for a long time: Chain Bridge, the Danube River and slowly swimming across the river, flat and too Peugeot, It often reminds me of the “melancholy Sunday” in the country where I had been hurried past, the “Love in Budapest,” with stories, scenes and details coming back to the senses, The beginning of the morning or the end of the night, that long shot is so Peugeotly through the chain bridge slowly all the way across the broad Danube, passing the country’s melancholy and romantic temperament.