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有机会看老杨最近的画,偌大的尺寸,全是在藏族聚民区和北方山村的现场写生。每幅肖像画的完整、厚重、闪亮、湿润的色彩从亮部到暗部,接着又从暗部到亮部进行过渡和衔接,中间色层细腻、生动且耐看,本事全隐藏在其中。这种毫不干涩的滋润效果源于物体交接处来回描绘,要求眼睛的敏锐和手上的素描功夫。当构图并非事先设计,背景、表情、道具,每一处都在执笔勾勒中一气呵成的时候,统觉和掌控起着主导作用。写生者保持精力充沛,将被
Have a chance to see Lao Yang’s recent paintings, huge size, all in the Tibetan people’s militia and northern mountain village scene sketching. The complete, heavy, shiny, and moist colors of each portraits transition from light to darkness, followed by the transition from darkness to brightness. The middle color layer is exquisite, vivid and look good, and all things hidden in it. This non-drying moisturizing effect comes from the intersection of the object and back and forth, requiring sharp eyes and hands-on sketches. When the composition is not prior design, background, facial expressions, props, everywhere in the pen and drawing at one go, sensory and control play a leading role. Sketches keep energetic, will be