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诞生于19世纪中叶的印象主义运动,堪称西方艺术发展历程中一个重要的转折点。印象主义者对于色彩的捕捉、表现与运用,一方面,延续了西方传统的色彩与素描关系的讨论;另一方面,拉开了此后西方现代艺术的色彩探索序幕,进而在西方绘画观念从客观再现走向主观表现的转变中,产生了深远影响。文章分析了素描和色彩在历史中的对立关系,并对法国印象主义艺术家对于色彩革命的推动作用进行了分析,以期探讨印象主义者与色彩革命的关系。
The Impressionist movement, born in the mid-19th century, is an important turning point in the development of Western art. On the one hand, Impressionists continue the discussion of the relationship between color and sketch in western tradition; on the other hand, it opens the prelude to the color exploration of western modern art, and from the objective Reproduce the transition to the subjective expression, had a far-reaching impact. The article analyzes the contradiction between sketch and color in history, and analyzes the impetus of French Impressionists to the color revolution with a view to exploring the relationship between Impressionists and color revolution.