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本文在前后四次详尽考察陕北石窟的基础上,分析了陕北明代石窟的分布和形制,继而对三教主尊、大肚弥勒佛、水月观音、地藏十王、千佛(含万菩萨)、四大天王、五眼菩萨、三十五佛造像、善财童子五十三参、关羽图像、化生童子等11种图像进行分析。认为陕北明代盛行的以佛教为主,混合儒道的多神祗信仰,石窟图像表现受民间思想影响较大,在一定程度上反映出明代石窟艺术民间化的形成。
Based on the detailed investigation of the Northern Shaanxi Grottoes, this paper analyzes the distribution and formation of grottoes in the Northern Dynasties in Northern Shaanxi, and then analyzes the distribution of the Grottoes in the Ming Dynasty in Northern Shaanxi, Maitreya Buddha, Shuiyue Guanyin, Bodhisattva), four kings, five bodhisattvas, thirty-five Buddha statues, Fifty Three Goats of good fortune boy, images of Guan Yu and the boy of the same age were analyzed. It is believed that the image of Buddhism-dominated polygamy and mixed Confucianism and Taoism prevailed in the Ming Dynasty in northern Shaanxi and the image of grottoes are greatly influenced by the folk thoughts. To a certain extent, this reflects the formation of the folk-custom of grottoes in the Ming Dynasty.