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前言研究唐代的“俗乐二十八调”或隋朝的“雅乐八十四调”理论,通常会有这样一种担忧:如果当时的乐器比较简陋,音律状况很不理想,在一个八度之内仅能奏出七律、八律等,那么“八十四调”、“二十八调”只可能是一纸空文。因此,有人便说:“八十四调”、“二十八调”是“欺世盗名”的“空中楼阁”;另一些人稍稍客气一点,说这两个“方案”是“美好的理想而已”。其实,唐代乐器的音律状况,并不象人们想象得那样不理想;只是由于政治、经
Preface It is usually a worry to study the “folk music twenty-eight tune” in the Tang Dynasty or the “eighty-four tone” music in the Sui Dynasty. If the musical instruments of the time were rather rudimentary and the temperament was rather unsatisfactory, Within eight degrees can only play Qilu, eight law, etc., then “eighty-four tune”, “twenty-eight tune” can only be a dead letter. Therefore, some people say: “Eighty-Four” and “28-Tune” are “tricks of the air” in “trite names.” Others are a little polite and say that these two “programs” are “a beautiful ideal.” In fact, the temperament of the musical instruments in the Tang Dynasty was not as bad as people imagined it; just because of politics,