祁彪佳的《远山堂曲品.剧品》在曲论史上占有一席之地,可以说是从王骥德曲论到李渔曲论的桥梁和过渡,但它自身也有鲜明的批判特色和理论贡献。其严肃的批判态度,高于流俗的批判识见,贯注自身人格精神的批评理念,是其鲜明的批评特色。对戏曲叙事特征的注重、结构理论、人物塑造理论,是其理论建树。 Qibiao Jia’s “Yuan Shan Tang Qu Pin” drama, which occupies a place in the history of music theory, can be said to be the bridge and transition from Wang Ji De Qu theory to Li Yu Qu theory, but it also has its own distinctive critical features and theoretical contributions. Its serious critical attitude is higher than the popular critique and the critical concept of paying attention to its personality is its distinctive criticism. The focus on the narrative characteristics of the drama, the theory of the structure, character shaping theory, is its theoretical achievements.