藏族文化是中华民族多元一体文化的重要组成部分,藏族题材电影(国内)是我国少数民族电影中的一支重要力量,以其文化的独特性丰富着我国民族电影文化内涵。文章将藏族题材电影划分为“十七年”和“文革”(1949—1977年),新时期(1978—1999年)和新世纪(2000年至今)几个不同历史阶段,从社会转型以及电影体制改革中回溯其文化主体性从潜抑、萌发到觉醒的流变过程。 Tibetan culture is an important part of the multi-cultural integration of the Chinese nation. Tibetan theme films (domestic) are an important force in the films of ethnic minorities in our country and enrich the connotation of Chinese national film culture with its unique culture. The article divides Tibetan theme films into several historical periods of “Seventeen Years” and “Cultural Revolution” (1949-1977), New Period (1978-1999) and New Century (2000-Present) Social transformation and reform of the movie system backtracking the rheological process of subjectivity, germination and awakening of its cultural subjectivity.