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对于艺术本质的探讨,历来是美学家和艺术理论家研究的重点。从古希腊的柏拉图和亚里士多德开始,关于艺术本质的界定就围绕着艺术家和客观世界的关系,中世纪的研究不仅未能突破这个窠臼,反而将客观世界的相关要素置于非常高的地位。文艺复兴时期,人文主义的精神开始萌芽,却是不成熟的、不深刻的。直到19世纪,马克思从“人”的角度对艺术进行界定,找到了劳动在人类艺术起源中的重要性,深刻讨论了人的本质力量和艺术
The exploration of the nature of art has always been the focus of the study by estheticians and theorists. Beginning with Plato and Aristotle in ancient Greece, the definition of the essence of art revolves around the relationship between the artist and the objective world. The study of the Middle Ages failed to break through this stereotype. Instead, the relevant elements in the objective world were placed very high status. Renaissance, the spirit of humanism began to sprout, but it is immature, not profound. Until the 19th century, Marx defined art from the angle of “people”, found the importance of labor in the origin of human art, and profoundly discussed the essence and power of man