1994年7月8日,一个细雨濛濛的晚上,我突然接到“常书鸿先生治丧委员会”的急件。噩耗传来,我颤抖的双手把讣函掉落在地,我的眼泪不禁夺眶而出。一代油画高手、敦煌文物权威学者与世长辞!这是我们国家的巨大损失。当天晚上,我辗转反侧,夜不能眠。常书鸿的高大艺术形象,崇高的艺术品德,萦绕在我心头。数十年过去了,有关他勤奋作画和刻苦钻研文物的某些侧面情况,也许鲜为人知,略述如下: 1936年,我在国立杭州艺专学习的时候,看到常书鸿刚从法国学成回国参加全国美展 July 8, 1994, a drizzle rainy night, I suddenly received a “Chang Shuhong funeral Committee” urgent. The sad news came, my trembling hands dropped the obituary note to the ground, my tears can not help but sobbed. A generation of oil masters, Dunhuang cultural relics authoritative scholar died! This is a huge loss of our country. That night, I was tossing and turning, I could not sleep at night. Chang Shuhong tall artistic image, lofty artistic virtues, linger in my heart. Decades have passed, and some of his side-effects on his painstaking work of painting and assiduously studying artifacts may be poorly understood and summarized as follows: In 1936, while studying at the State College of Arts in Hangzhou, I noticed that Chang Honggang just came from France Xuecheng returned to participate in the national art exhibition