【1943年6月9日】尊作《白云山苍苍》一长幅(亦似本年新制,惟款未识年月),笔简意繁,丘壑无穷,勾勒生辣中,尤饶妩媚之姿,凝练浑伦,与历次所见吾公法绘,另是一种韵味。前周又从默飞处借归大制五、六幅,悬诸壁间,反复对晤,数日不倦。笔墨幅幅不同,境界因而各异,郁郁苍苍,似古风者有之;蕴藉婉委,似绝句小令者亦有之。妙在巨帙不尽繁复,小帧未必简略。苍老中有华滋,浓厚处仍有灵气浮动,线条驰纵飞舞,二三笔直抵千万言。此其令人百观不厌也。尊论尚法、变法对师古人不若师造化云云,实千古不灭之理。征诸近百年来西洋画 [June 9, 1943] respect for “Baiyun Mountain Cang” a long (also like this year’s new system, but the section did not know the age), pen simple and complicated, Qiuhu infinite, outlines the spicy, especially Rao charming Attitude, concise Hunren, and my previous experience of public law painted, and the other is a charm. In the previous week, they also borrowed from the Mofei Office five or six large systems suspended over the walls, and repeatedly met each other for several days without tire. Pen and ink are different, the realm so different, depressed and dark, like an archaic who has; Yun Wan Committee, like quatrain also have. Wonderful huge giant endless complex, small frame may not be simple. There are old Cathy, there is still a strong aura of floating, chicane lines flying, twenty-three pen straight to millions of words. This is incredible. Respect is still law, change the law on the division of the ancients are not as good as teachers of Buddhism, the eternal immortal reason. Requisitioned nearly a century Western painting