中国当代小说的主潮是现实主义。80年代末虽然有过短暂的先锋写作的探索,但自世纪末以来,众多作家复归于现实主义的大旗之下。可与50至70年代的现实主义创作不同的是,随着思想的解放、外来的影响与写作自由度的宽松,新时期以来的现实主义小说,有一个新的特质,就是神性书写的介入。神圣书写有两个维度,一个是自然神性维度的加入,如贾平凹的《太白山记》、阎连科的《耙耧天歌》、迟子建的《额尔古 The main trend of Chinese contemporary novels is realism. Although there was a brief exploration of pioneer writing in the late 1980s, since the end of the century, many writers have been reintegrated under the banner of realism. Different from the realistic creation from the 1950s to the 1970s, with the liberation of thought and the loose influence of external influence and writing freedom, the realistic novel since the new period has a new trait that is the intervention of divine writing . Divine writing has two dimensions, one is the addition of natural divine dimension, such as Jia Pingwa’s “Taibai Mountain”, Yan Lianke’s “harrowing song”, Chi Zijian’s "Ergou