朱简(约一五七○卒年未详),字修能,号畸臣,后改名闻,安徽修宁人,明代安徽杰出的篆刻大师之一,其建树不输于之前的何震,也不逊色于后世的邓石如,是一个承前启后的人物,这得益于他深厚的印学修养和高超的创作技巧。明代篆刻家人数不断扩大,进入繁荣期,但更多的则如他所言的『习讹承谬,未疏渊源』。朱简正是在这样的历史潮流下应运而生,没有沉湎于暂时表面的繁荣,而就整个篆刻发展着眼,从更高层次上来要求,提出新的技法原则、品评标准和审美要旨,率先以批评家姿态出现,开后世先河。 Zhu Jian (about fifteen or seventy years did not know), the word Xiu Neng, No. grievances, renamed after the change, Anhui Xuning people, one of the Ming Dynasty Anhui outstanding seal cutting master, its contribution is not lost in the previous He Zhen, also Not inferior to future generations of Deng Shiru, is a predecessor Kai character, thanks to his profound printing and cultural cultivation and superb creative skills. In the Ming Dynasty, the number of seal carvings continued to expand and entered a period of prosperity, but more often, as he said, “learning from mistakes and abusing paternity.” Zhu Jian came into being exactly under such a historical trend, and did not indulge in the temporary surface of prosperity. However, he insisted on the development of the whole seal cutting and requested from a higher level to come up with new technical principles, evaluation criteria and aesthetic essences, taking the lead in criticism Appear, open future generations precedent.