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一年一度的暑期档是好莱坞最挣钱的时节,能挤进这个档期,必然要有十分的实力,才抵得住“变形金刚”、“哈利·波特”们的冲击。2009年之夏,有不少北美以外的电影在这个档期中出现,其中的主力以欧洲电影为主,它们或者在制作过程中有好莱坞一份,或者在本土的票房成绩卓著,再或者是戛纳、柏林电影节上备受关注甚至拿奖的作品。虽然入选理由不一,共同的是它们在好莱坞都有卖点。不要忘记,在好莱坞有一条不变的法则,暑期档中出现的影片绝不会是炮灰,无论如何都要在其中分一杯羹。这意味着,现在不只有好莱坞有资格拿着片子挣海外票房,那些来自北美以外地区的电影,也可以去好莱坞淘金,虽然比不上好莱坞大片动辄几亿的全球票房,但是能深入敌后,也算是种反击。欧洲电影素来以它难解的面貌示人,经历了低谷之后,现在的欧洲电影也更加好看了。像意大利的《明星总理》,把一部严肃的传记电影拍得艺术又耐看;英国的《海盗电台》重拾当年引领了全球文化的摇滚精神;由英国当红偶像主演的恐怖片电影《折磨》从演员到题材都很对好莱坞胃口;在第61届戛纳一种关注单元出现的挪威电影《奥霍顿》写实又幽默;还有法国的《夏日时光》,小夜曲一样的自然清新,娓娓道来;以及集结了多国投资的《控制极限》,文艺青年吉姆·贾木许的最新作品;当然,在好莱坞的日程表里还有日本电影,今年奥斯卡最大的黑马《入殓师》和宫崎骏的2008年的作品《悬崖上的金鱼姬》在美国都有着光明的“钱景”。
The annual summer festival is Hollywood’s most profitable season, can squeeze into the file, there must be a very strong force, it is worth living “Transformers”, “Harry Potter” their impact . The summer of 2009, there are many non-North American films in this file appear, the main force of the European film, they either have a Hollywood production process, or outstanding results at the box office, or is Cannes , The Berlin Film Festival has attracted the attention or even winning entries. Although the reasons for the selection vary, the common thing is that they have a selling point in Hollywood. Do not forget that in Hollywood there is a rule of thumb that the films appearing in the summer documentary will never be cannon fodder, and in any event have a slice of it. This means that now not only Hollywood is eligible to make films to earn overseas box office, those from outside North America outside the film, you can go to Hollywood Gold Rush, although not as Hollywood blockbuster hundreds of millions of global box office, but can penetrate the enemy’s Be kind of counterattack. European cinema has always been the face of its indescribable, after the trough, the current European cinema is even more good-looking. Like Italy’s “Prime Minister,” a serious biographical film art and patience; Britain’s “Pirate Radio” regained the spirit of that year led the global culture; by the popular British idol starring horror movie “torture” From the actors to the subject are Hollywood’s appetite; in the 61st Cannes a concern unit appears Norwegian film “Okhoton” realistic and funny; as well as France’s “summer time”, Serenity as fresh and natural And the latest works of the literary youth Jim Jimu Hsu; of course, in the Hollywood schedule there are Japanese films, Oscars this year, the largest dark horse “into a division” and Miyazaki Chun 2008’s work “The Cliff’s Goldfish Ji” in the United States have a bright “money King ”.