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上世纪20年代以后,随着科学技术的发达,作为社会革命一个方面的机械文明日益发展,机械时代所带来的新感觉不断出现,同时也急切的需要一种文学来表达这种新的感觉。厌倦了平凡无奇的表达方法的新晋作家们用奇特的技巧来表现出机械化的社会风潮。横光利一作为新感觉派文学的灵魂人物活跃在文坛,以独特的创作技法,创作出了众多的优秀作品。这其中《苍蝇》便是新感觉派文学的代表作之一。作品采用了电影的诸多技巧,镜头在各场面推进,巧妙的运用富有生命力的拟人法和比喻等手法,展现出了新感觉派“构图的象征性”特色。小论将围绕《苍蝇》,探究横光利一运用怎么样的表现技巧,来表现终末意识。
Since the 1920s, with the advancement of science and technology, as the mechanical civilization as one aspect of the social revolution has developed day by day, new feelings brought by the mechanical age have emerged constantly. At the same time, there is an urgent need for a kind of literature to express this new feeling . New writers who are tired of ordinary ways of expressing their skills use mechanistic social mechanics. Yokohitsuichi, as the soul of new sensation literature, is active in the literary arena and created many excellent works with unique creative techniques. One of the “flies” is one of the representative works of the new sensationalism literature. The film adopts many techniques of the film. The lens is advanced in all the scenes and cleverly uses such methods as the anthropomorphic personification and the metaphor of vitality to show the new sensationalism “the symbolic” feature of composition. Small talk will focus on “flies” to explore what kind of performance skills Yokogawa uses, to show the final consciousness.