贯穿影片的主要布景是一面灰色的墙,由灯光控制墙壁深浅浓淡的色调变化。室内陈设表明故事发生的地点:有时在马尔丹家,有时在加尔默罗会修道院(会客室、洗衣房……),在神甫那里,在梵蒂冈等地。 影片采用了同期录音手法。各种音响都很清晰,画面始终无音乐伴奏。 The main setting that runs through the film is a gray wall, controlled by the light and shade of the shades of the walls. Interior furnishings show the location of the story: sometimes in the Mardan, sometimes in the Carmelite monastery (reception room, laundry ...), where the priest, in the Vatican and other places. The film uses the same period of recording techniques. All kinds of sound are very clear, the picture has no music accompaniment.