仲夏的午后,一切都仿佛喑哑了。在琉璃厂的勤珏画廊里,坐在记者对面的画廊的主人赵勤玉先生谈起自己画廊的经营之道却是滔滔不绝。他的话语中夹杂着安徽老家的乡音,但却完全不影响他作为一个艺术家的文质彬彬和作为一个商人的机敏,他口若悬河却不失谦逊。作为一个成功的艺术家兼商人,拥有这样的素质我并不会吃惊也不会赞美。令我吃惊的是,作为一个民间烙画艺术的代表人物,他的作品中并没有涉及到当代前卫艺术元素,但他的谈话却从中国前卫艺术的符号798艺术区开始…… Midsummer afternoon, everything seems dull. In the Liulichang’s Qin Jue gallery, Mr. Zhao Qinyu, the owner of the gallery opposite the reporter, talked about the operation of his gallery but it was endless. His dialect is mixed with the accent of his hometown in Anhui province, but it does not affect his gentleness as an artist and his astuteness as a businessman. His eloquent yet modest manner. As a successful artist and businessman, I am not surprised or praised for having such qualities. To my surprise, as a representative of folk art of pyrotechnics, his works did not touch on contemporary avant-garde art elements, but his talk began with the symbol 798 Art Zone in China’s avant-garde art ...