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传统的书法有其独特的哲学思想、审美意识、价值观念、技巧技法,凭藉这点它以巨大的贯性能自足地运转着和衍化着,在相当的程度上展现了东方民族优雅的文化气质。然而,现代人的燥动和不安,批评和判逆的深层意识却无法去适应“违而不犯,和而不同”的传统的审美范式,于是以极端形
Traditional calligraphy has its own unique philosophical thinking, aesthetic awareness, values and techniques. By virtue of this, traditional calligraphy can run and evolve with great coherence, and to a considerable degree show the elegant cultural temperament of the East. However, the modern sense of perplexity, anxiety and criticism and refraining from contradictions can not adapt to the traditional aesthetic paradigm of “not infringing, but different”. Therefore,