纳博科夫和什克洛夫斯基同为1920年代柏林的俄侨作家和批评家。二人在侨居生活与文学活动上有着近似的命运和际遇,在具体创作与诗学探索上则构成潜在的诗学对话与交流,这在短篇小说“柏林向导”和自传体小说《动物园》有具体而微的呈现。这种诗学对话表明,在呼应什克洛夫斯基陌生化审美原则的同时,纳博科夫更多的是对形式主义诗学的继承性超越。 Nabokov and Shklovsky both are Russian overseas writers and critics of Berlin in the 1920s. The two have similar destiny and fortune in expatriate life and literary activity, and constitute potential poetic dialogue and exchange in the concrete creation and exploration of poetics. In the short story “Berlin Guide” and autobiographical novel “Zoo ”There are specific and subtle presentation. This kind of poetic dialogue shows that while echoing Shklovskii’s defamiliar aesthetic principle, Nabokov is more transcendental to formalist poetics.