自从弗罗伊德的梦与人类文明的内在关系理论提出以后,梦乃至梦呓私语再也不是生命中的多余开支,更不是可有可无的精神中的多余成分。不论从什么样的角度说,当人们思考当代文化的问题之时,再也不可不考虑梦的意义与价值了。 我不知道我对刘野的作品的解读是否离他的创作意图太远。我第一次接触他的作品给我的感受是那种轻松、单纯的梦呓私语以及其背后隐藏着的某种滞重感和惊悸感、甜美的梦境把一切都化成为现实,化成为可以享用、伸 Since the theory of the inter-relationship between Freud’s dream and human civilization has been put forward, dreams and dreams are no longer superfluous expenditures in life, but not superfluous components of dispensable spirit. No matter from what kind of perspective, when people think about the problems of contemporary culture, they must no longer consider the meaning and value of the dream. I do not know if my interpretation of Liu’s work is too far from his creative intention. The first time I came into contact with his work I feel that kind of easy, simple dream whisper and hidden behind some of the sense of stagnation and fright, sweet dreams put everything into reality, into the enjoyable ,stretch