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《剧本》月刊今年四月号田万里、张伟同志《试论京剧走向》一文,热心分析京剧的现状和前途,对内容取材单纯、情节淡化的剧目优点的剖析,甚有见地,但通读全文,有以偏概全之感。京剧走向问题,以至整个戏曲的走向问题,是一个十分复杂的理论和现实问题。我从不同角度提出一些看法,目的在于引发更多的同志参加讨论。①中国戏曲,从元杂剧到明清传奇到现代戏曲,数百年来,雅俗共赏、妇孺皆知的剧目(包
In April of this year, the “Script” magazine Tian Wanli and Zhang Wei, “On the Trend of Peking Opera,” enthusiastically analyzed the current situation and future of Peking Opera, and analyzed the merits of the play based on the simple content and the diminished circumstances. However, , There is a partial general feeling. Peking opera to the problem, and even the whole drama direction, is a very complicated theoretical and practical problems. I put forward some views from different angles, with the aim of triggering more comrades to participate in the discussion. ① Chinese opera, from the Yuan Dynasty drama to the legend of the Ming and Qing Dynasties to the modern drama, for centuries, refined and popular, women and children are well known repertoire