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左窄右宽是较常见的左右结构类型。通常左右比例关系为左占1:3,右占2:3。也有左很窄右很宽的现象。为了保持平衡,窄的部分笔画要粗重,宽的部分笔画应细长。如单人旁的撇和木字旁的短横都可以写得粗重一些。“佛”字右侧的悬针竖和“栋”字右侧的竖钩都写得十分细长。许多常用左旁都非常窄,如三点水、单人旁、双人旁等,而许多右旁带有对称的撇捺或细长横,因此有可能占据了2/3的宽度。例如“佛”字,左右比例相当于1:4,右侧的横折钩很宽。这个字的横与横之间,竖与竖之间,间隔匀称,竖的高低长短错落有致。“後”字双人旁的短撇用笔较重,右侧的撇折协调统一,撇捺挺拔开张,左右两部分非常均衡。言字旁的字也多为左窄右宽结构。言字旁由上
Left and right width is the more common type of left and right structure. About left and right proportions of left accounted for 1: 3, right accounted for 2: 3. There is also a very narrow left and right wide phenomenon. In order to maintain balance, narrow strokes should be heavy, wide strokes should be slender. Such as skimming next to the single and the short side of the wooden word can be written a little heavier. The word “Buddha” on the right hanging needle vertical and “Dong” word on the right hook are written very slender. Many common left-hand sides are very narrow, such as three o'clock water, single side, double side, etc. Many right sidebands have symmetrical left-hand side or slender horizontal sides, so it is possible to occupy 2/3 of the width. For example, “Buddha” word, the ratio is about 1: 4, the right side of the hook wide. The word between the horizontal and horizontal, vertical and vertical, the interval of symmetry, the length of the vertical patchwork. “Post” next to the double short writers heavier pen, the right side of the fold co-ordination, left and right, left and right, left and right sides are very balanced. Words beside the words are mostly left and right width structure. Words by the top