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本文以阿比察邦·韦拉斯哈古的电影为个案,探讨“少数电影”为认同政治带来的新视角和启发。一方面讨论阿比察邦对泰国东北农村地区日常生活的重塑,如何将该地区的地域政治经济问题渗透到日常生活的感性经验中,将复杂的身份认同问题置于开放的共同体验之中;另一方面考察他对泰国东北地区历史政治问题和当下东北民众政治参与的反思,分析区域认同是如何被纳入当代泰国复杂的政治生态中的,并呼唤一种从边缘重新认知国家同时自身去边缘化的双重认知,以消弭偏见、矛盾和冲突。
In this paper, I will take Abacus Bonushaugu movie as a case to discuss the new perspective and enlightenment brought by the “minority movies” for identity politics. On the one hand, discussing how the Abkhazia remodeling the daily life in the rural areas of northeastern Thailand has infiltrated the regional political and economic issues in the region into the perceptual experience of daily life and placed complex identity issues in an open shared experience ; On the other hand, he examines his introspection on the historical political issues in northeastern Thailand and the present northeast people’s political participation, analyzes how regional identity is incorporated into contemporary Thailand’s complex political ecology and calls for a new understanding of the country from the periphery To the dual understanding of marginalization, to eliminate prejudices, conflicts and conflicts.