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《哈姆雷特》是莎士比亚最负盛名的剧本,代表着整个西方文艺复兴时期文学的最高成就,对后世文学有深远影响。本文立足互文性理论,通过从男女性关系,被压制的欲望以及水的意象三个互文性具体方面揭示了美国当代女作家乔伊斯·卡罗尔·欧茨的《黑水》与《哈姆雷特》互相指涉,互相映射的部分。挖掘《黑水》与《哈姆雷特》剧本的互文关系。展现了欧茨对于女性的人文关怀以及生存问题的关注,丰富了作品的文学内涵。
“Hamlet” is Shakespeare’s most famous script, representing the highest achievement of the entire Western Renaissance literature, has a profound impact on later literature. Based on the theory of intertextuality, this article reveals the “Black Water” of Joyce Carroll Oates, a contemporary American woman writer, through three intertextual aspects: the relationship between men and women, the desire to be repressed and the image of water. And “Hamlet” refer to each other, the part of each mapping. Excavating the Intertextual Relations between “Blackwater” and “Hamlet” Scripts. It shows Oughts attention to women’s humane care and survival issues and enriches the literary connotation of the works.