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卡夫卡研究者整理的书信集《致菲丽斯》是重要的自传文献,为传记家掌握传主在与菲丽斯交往期间的生活细节提供了第一手信息,深化了对卡夫卡的理解。卡内蒂将《致菲丽斯》与《审判》相联系,并揭示卡夫卡作为“权力大师”的隐蔽面貌及其特殊的心理结构。卡尔将这一形象进一步修订为精于算计、斤斤计较的“典型现代人”和以“写作”为统治手段的“暴君”。而作为卡夫卡写作整体的一部分,《致菲丽斯》也是卡夫卡文学研究的重要对象。女性主义批评家伊丽莎白·鲍娃从卡夫卡与菲丽斯的关系看出了“蓝胡子与少女”及“(男)作家与(女)缪斯”双重映像,力图以批评之刀解剖(男性)写作过程所隐含的(性别)权力机制。《致菲丽斯》为理解传记与文学之间的关系提供了一个样本。
The epistle of letters collected by Kafka’s researchers, “Phyllis,” is an important autobiographical document that provides first-hand information to biographers in grasping the details of the life of their deeds during their interactions with Phyllis and deepens their understanding of Kafka Understanding. Canetti will “lead to” and “trial” linked to Felice, and reveals Kafka as the “masters of power” hidden face and its special psychological structure. Carl further revised this image to be “tyranny” of “typical modern man” who is skilled in calculation and preoccupied with “rule” and “writing”. As part of Kafka’s writing, “To Phillips” is also an important object of Kafka’s literary studies. Feminist critic Elizabeth Bowe has seen from the relationship between Kafka and Phyllis that “blue bearded and the girl” and “(male) writer and (woman) muse” dual images, trying to criticize Knife dissection (male) The implicit (gender) power mechanism in the writing process. “To Phyllis” provides a sample for understanding the relationship between biographies and literature.