芭蕾舞剧《梅兰芳》已经与广州观众见面,可是只要一谈起《梅》剧,我依然处于激动和兴奋的状态。虽然这次我并没有参与具体编舞,但在不自觉中追寻着梅先生这位可钦可敬的京剧艺术大师的足迹。 记得,我从北京舞蹈学院编导系毕业后,1995年元月一日来广州歌舞团报到,那时的水荫路人们都称之为文化街。这话一点儿不假。 Ballet Mei Lanfang has met with Guangzhou audiences, but as long as I talk about “Mei” drama, I am still in a state of excitement and excitement. Although I did not participate in the specific choreography this time, I was unconsciously pursuing the footsteps of Mr. Mei, an admired opera artist in Beijing. I remember, after graduating from the director of Beijing Dance Academy, I reported to the Guangzhou Song and Dance Ensemble on January 1, 1995, when people of Shuiyin Road called it Cultural Street. These words are not false at all.